Terreur à L

After botching a kidnapping, two criminals hide with their victim in a friends house in the jungle. After one of them rapes the friend's wife, they're left to be eaten by a nearby cannibal tribe.

Terreur 404 is a series of short films wherein our worst nightmares come to life through the very technology we use to communicate with one another. Don’t bother adjusting your set. It’s already too late.

In the aftermath of November 13 in Paris, Lucie, Malika and Vincent find themselves at the heart of the hunt for those responsible for the attacks. They are soon faced with the threat of further attacks.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla, exploring how Vergès assisted, from the 1960s onwards, anti-imperialist terrorist cells operating in Africa, Europe, and the Middle East. Participants interviewed include Algerian nationalists Yacef Saadi, Zohra Drif, Djamila Bouhired and Abderrahmane Benhamida, Khmer Rouge members Nuon Chea and Khieu Samphan, once far-left activists Hans-Joachim Klein and Magdalena Kopp, terrorist Carlos the Jackal, lawyer Isabelle Coutant-Peyre, neo-Nazi Ahmed Huber, Palestinian politician Bassam Abu Sharif, Lebanese politician Karim Pakradouni, political cartoonist Siné, former spy Claude Moniquet, novelist and ghostwriter Lionel Duroy, and investigative journalist Oliver Schröm.

How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.

Terreur (Terror) is historically significant as Pearl White's last film.

Today is a day like any other for Kalthoum and her girlfriends. They sip cocktails, look for sex on the Internet, impatiently wait for love and once again, endure the transphobic insults of strangers. But today it’s not going to be like that: the four transgender friends will imagine their revenge.

This film tells, from the terrorists' point of view, how a network relying on the resources of a complicit state manages to deceive the surveillance of Western secret services and carry out a nuclear weapon attack in Europe.

During the French Revolution in 1793, a member of the Convention, seduced by the Comtesse de Beaulieu, helps her to discover the truth about the relationship between Agnès de Fitz-James and the count who was guillotined.

Documentary about the financial resources of the Islamic State.

When John-Boris Keybusiness, a man overwhelmed by fear of flying, is forced to get on a plane, nothing happens as planned.

A new member of the Cheka receives his first assignment, holding in his hands a warrant to evict a peasant from his hut. The young man, at nineteen years old, must dare to commit murder, and not just one.

Aimé Morin, a good-natured bookseller, is also one of the candidates in the local elections of his small town. He is well-liked by most but he also has political enemies. Among them is Lagarde, a journalist close to the latter. Lagarde takes advantage of Morin being on holiday in Paris to try and tarnish his reputation. His machination unfortunately works and poor Aimé finds himself mistaken for a sex maniac.

An expressionist comedy greatly influenced by German Expressionism set in a bohemian enclave of northern Paris, which Clouzot made shortly before he served as assistant director to Anatole Litvak and E.A. Dupont and began scripting French versions of German films at Berlin’s UFA studios.

A masked wrestler, The Golden Angel, must defend his beloved against the evil mutant professor.